Friday, 25 July 2014

My Gran and Other Animals.


   Today is the one year anniversary of my Nans passing, and here I wanted to share the lighthearted autobiographical piece I wrote about her and read at her funeral. It's comforting to remember her as she was, I hope you like it.


My Gran and Other Animals.


We’re in the kitchen Nan and me. Its morning and there is a small long haired Yorkshire Terrier sitting with it’s nose pressed against the radiator behind the kitchen door. I do not know this little animal.

It’s not a new experience, finding mystery furry creatures in the house. In the 70’s Nan was always bringing home strays of the four-legged variety. One actually rang the doorbell one night, a small pregnant tabby cat we named Mitsy, on account of her soft mitteny fur. She stayed about 15 years and took her last breath in Mum and Grans arms.

Nan never could resist a furry face.  She once got in a fight with a very large man on Cloudsley Road because he hit his dog. “Pick on someone your own size!” she said.
     “What are you like Nan?” I said, “Giving me a heart attack with the fighting with big men over dogs.”

If I grabbed one of her jackets to pop to the shop, I would always find the following in her pockets; Tatty bits of tissues, monkey nuts for squirrels, special dog choccy buttons and smelly biscuit animal treats, particles of which would inevitably end up under my nails.

“Nan” I’d say, “Its like pets-R-us in these pockets, what are you like?”
“Well, I have to have something for all my furry little friends” she’d say.

These days Nan had moved from bringing home strays, and feeding any living thing that showed up (including a wounded pigeon that got stuck in a neighbours airy for a week, “I gave it boiled chicken and ham” she told me) to looking after other peoples animals, mostly without mentioning it to me or mum beforehand.

On occasion she would hide them in her room, then release them quietly into the house hoping we wouldn’t notice (It’s hard not to notice a black and white mongrel watching your telly with it’s paws up). She was afraid we would say no, a word foreign to Gran.

“Nan, why is there a small dog staring at the radiator?” I say.
     “Oh it’s not staring,” she says, “It’s blind.”
     “Right,” I say, “Who’s is it?”
     “It’s Eileens, she’s visiting relatives in Wales.”
     “What’s its name then?”
     “Ooo, I don’t know,” she says, ‘”I’ve forgotten it.”
     “You don’t know its name?” I say.

She’s not really concentrating. She’s looking in draws, sorting and rummaging, apparently trying to find her lottery ticket. The sun newspaper is open, waiting, with the numbers ready for her to check. She is wearing a pair of wonky glasses, having only one arm on them, they are the most recent victim of her propensity to sit on things.

She actually sat on mums cat ‘’Rhettmans’ once. We feared for his organs. Mum cried out in panic. “I’m nowhere near him,” Nan said. The cats face expressed adamant disagreement, and he velcroed himself to mum, who spent the evening kissing him, rolling her eyes at Gran and making jokes that I should watch myself or nanny might squash me.

“I do know it’s name, it’ll come to me in a minute,” Gran says, having located the lottery ticket, “wont help anyway, it’s deaf.”
     “It’s deaf and blind,” I say, “how does it know it’s alive?”
      “I don’t know,” she says, “it’s very old, it’s got no teeth either.”
     “Poor thing,” I say, wanting to stroke it but fearing I’ll give it a heart attack to add to it’s troubles.
     “Oh that’s it name,” she says, having finally sat down, “it’s Wanda.”
     “Wanda,” I say, “It’s a wonder all right, a wonder it’s alive.”
She can’t help laughing, and gets up to open a pouch of food.
“How’s it gonna eat that?” I say, watching her intently, as if waiting for a magician to perform a trick.
     “Aah bless It,” she says, giving it a little stroke, and gently putting it’s face in the juicy meat, “it’ll have to gum it I suppose.”

It’s present day, the phone is ringing. Someone answers, there’s a silence, a rustling, and a pressing of buttons. I know this drill, so I wait. “Hello,” she says finally.
     “Oh hello,” I say in a  posh official voice, “I’d like to speak to Smuffy Gran please, is she available?” (Smuffy is my nickname for her) I hear giggles down the phone followed by a little snort of laughter.
She tries to put on the same voice, “Yes, Muffy Gran speaking,” she says. She always misses the S, but her willingness to play along delights me.
     “How are you Gran?” I say.
She does another big snort laugh and I know what’s coming, her latest faux pas. Examples of which include; riding her bike wearing her jacket upside down, putting the cat food in the tumble dryer and then not being able to find it, realising at 3.30pm whilst standing in front of the fresh meat section of Marks and Spencer that she has been wearing odd shoes all day, and spending a whole weekend looking for her false teeth only for mum to spot them hanging off the back of her cardigan when she gets up to close the shutters Sunday night.
     “What have you done this time Gran?” I say.
     “I tried to ring Barbera on the sky remote control,” she says laughing, “I wondered why the telly kept changing channels.” I crack up, this is possibly my favourite to date. “ Nan,” I say, ‘”they broke the mould when they made you.” 

They did.

By Kelly J Hitchen July 2013.











Monday, 7 April 2014

Blocked?

I've never thought of myself as a blocked writer, because whenever I want to write I can. I have never ending ideas, and the well doesn't feel dry for me.

But tonight I am reading chapter two of Julia Cameron's wonderful book The Artists Way, and I've had a bit of an eye opener!

The truth is I haven't worked on my main novel for a long time, and though I have done bits and pieces of writing and did send a story out to Alfie Dog fiction which they published on line, called 'Remaining silent'...I AM actually pretty blocked, stay with me I will explain.

I always thought blocked was can't write, stuck for ideas, nothings coming, the lights on but nobody's home...but a new understanding of blocked has come to me as Julia talks hard truths about 'crazy makers' and the way we 'use' each other.

I have blamed and bemoaned the fact that I write so little on account of my health issues, which to be fair it probably is largely to do with that.  I am recovering from very long term ME, which apart from having Doctors insult me for 14 long years about my health issues, it turns out that I have had some pretty serious problems going on, and a vast array of them, least of which include the fact that my cells don't make or recycle enough ATP, which is basically energy!

All this affects my focus, and my ability to just sit and work, to push through and get on with anything. As I type there is so much washing up in my kitchen not one bit of surface space is visible. It's choices, do I write this blog and have a bath, or do I wash up. I don't have the energy resources to do them all, frankly I've chosen this. I haven't written a blog in nearly a year. The washing up can wait.

So my health issues do get in the way of my writing, but as I unravel the psychology side of my condition, which obviously is important (and I feel validated to do it now I don't have GP's telling me it's in my head) I can see some important connections between my creativity, and my belief system and the things that are unhelpful in my life and the reasons that I allow them.

I'm not blocked for ideas or inspiration, but I'm blocked in what I believe about myself as a creative, and I avoid this and keep myself blocked by choosing (or I have done in the past) what Julia calls 'crazy makers'. Destructive ego centred people who's 'drama' is distracting and energy sucking.

If I'm really honest, and I was brutally honest with myself, I saw that to a degree I have been a 'crazy maker' to my boyfriend, also a creative, a deeply talented one. Always some crisis with my health, just when he has set time aside to work on his music...

But here's the thing, I can also see that he has used me as his 'avoidance' also. We have both been blocked. Blocked as in an unconscious self destructive pattern of allowing and creating distraction in our lives, because we are willing to go to any lengths to stay blocked because of the alternative...

The threatening and at times terrifying challenge of living a creative life of our own and achieving success in our chosen field.

"Our crazy maker is a block we choose for ourselves to avoid our own trajectory" Julia says, and I agree.

The crisis of my long term ill health, and being in an unhelpful dynamic with another blocked creative, who mutually use one another unconsciously and create distraction from the thing we are both afraid of, really cuts off my creative energy and leaves me wiped out, miserable and frustrated. This is not a comfortable realisation.

It's a brave and courageous life to live as a creative. To give up the securities that others enjoy (until or unless one is successful). The self discipline one needs to have, the strength to cope with rejections and, for me, to be any writer at all I have to reveal myself, be willing to be vulnerable and authentic in my work 9and relationships), and that's risky and scary.

My partner and I are having a brief time out, a successful decision really, one that has led me to come realisations like this. We will be much better together unblocked and self aware. We just needed some space to break the pattern, and break it we hopefully will.

For me, I need to be aware of the self destructive choices I make to give my energy where I should preserve it. It's important as creatives who we choose to spend time with and be around. Drama and negativity suck energy, suck creative energy clean away and replace it with more 'block,' more distraction from the creative life that would make us fullfilled.

I got the following quote for Brene Browns book 'The gifts of imperfection'...

"Don't ask what the world needs.  Ask what makes you come alive, and go do it.  Because what the world needs is people who have come alive."

In the movie 'The Dark Crystal,' the baddies (Skeksis) suck all the life energy from the little people called Gelflins (who are very pretty also, and mostly look like Victoria Beckham!) and they walk around grey and sad inside, listless and apathetic.

I think a lot of people feel like this, and don't realise how the choices we make, the boundaries we don't have, and the inability to protect or even believe we deserve to protect ourselves and our creative life force, from the negative destructive energy of some of the people in our lives, means we walk around grey like the Gelflins.

I want to take responsibility for my God given gift of creativity, be honest with myself and start creating a creative life of my own, bravely allowing myself to be unblocked and walk into the mystery of what will unfold with a heart of faith rather than fear...

And now that bath...nurturing self is very good for creativity! (Even if the kitchen stinks!)